The post-punk outfit’s dissertation can be seen during their vivacious live performances and have garnered support from tastemakers and publications such as OC Weekly, Impose Magazine, and Buzz Band’s Kevin Bronson.

Sadistically raw, and despite it all still filled with a compassionate heart, Bundy’s collision of lyrics and sound are progressive in the Los Angeles scene. “The chorus, 'I'm only aware enough to know that I have a self-destructive bone' is something that I've realized that I’m a fuckin’.that I’m self-destructive but how much am I able to deal with it?” explains Serna.īundy’s interpretation and dark prints are the core that relays their humility to a listener. The album’s sequential narrative score plays with dramatic and emotionalĪccents on tracks such as “What Blood,” and “Manic.”įollowing in the same vein of Bastard Performer, Bundy is set to release a slew of singles in 2019, the first being “Enough to Know,” which is a more honest arrival of rotating themes of love, depression and alcoholism. Presenting the faults and absorbing the impact, the album’s polished production attributes to the band homing in on their developed sound. From self-sabotage, to self-realization, Bundy’s penned lines are published posthumously on their 2018 full-length debut, Bastard Performer. Balancing aggressive guitars with melodic breaks, cinematic scopes, and wistful chimes, Bundy flourishes as a new unit with Mike Meza on drums and JB Vasquez, respectfully on bass.īundy’s pop-centric mindset and thematic portrayal have continued to attract listeners for the past three years.

Vocalist and guitarist Nani Serna romanticizes self-destruction with his charismatic and guttural styling, which is complimented by the likes of guitarist Johnny Lim and his dynamic structures. Cultivated, from the satirical aspect of their own reality, Long Beach’s Bundy and their bleak optimism, draws heavy influences from that of post-punk fused with the extraction of the raw energy of protopunk.

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